MFB-503 Analogue Drum Machine from Germany:This is the MFB-503 Analogue Drum Machine from Germany.
The Daily Swarm - Everybody loves an 808: A tribute to the classic drum machine…
1980: The Roland Corporation introduces the Roland TR-808, a programmable drum machine. According to Greg Rule’s book Future Shock, five percussion sounds characterize the 808: “the hum kick, the ticky snare, the tishy hi-hats (open and closed) and the spacey cowbell.” A Roland representative later credits the machine’s design to a Mr. Nakamura (responsible for the analog voice circuits) and a Mr. Matsuoka (who developed the software).
A 1980s advertisement for the 808. A 1980s advertisement for the 808. (Roland/Drum Machine Museum)The 808 receives many poor reviews in the gearhead press of the day, generally being deemed inferior to the Linn LM-1, the first drum machine to use digital samples (i.e., prerecorded rather than machine-generated sounds). Nevertheless, it gains some popularity due to its relatively low cost of $1,195 US. Yellow Magic Orchestra, the pioneering Japanese synth-pop band, is the first band to put the 808 to use.
1982: Soul icon Marvin Gaye is the first artist to score a major hit with an 808-propelled song, when Sexual Healing becomes a worldwide smash. Even so, the obviously synthetic sound of the rhythm patterns does not gain wide popularity. Instead, the 808 becomes a cornerstone of the emerging genres of electronic music and hip hop, with the release of Planet Rock by Afrika Bambaataa and the Soulsonic Force. Marking, in the words of producer Arthur Baker, a “marriage of electronic music with street culture and black music,” this thunderous single would also have a massive influence on subgenres like Miami bass and Detroit techno, thereby cementing the 808’s reputation as a fundamental element of futuristic sounds. (Hear also: Cybotron’s 1983 club hit Clear.)
